An article originally published on The Red Line Johanna Nuutinen and I set each other questions to reflect on the… Read more Reflections on ANON

What is not doing dramaturgy? A) Laughing B) Sitting still C) Staring out the window D) Dancing   What is… Read more Dance Dramaturgy by Multiple Choice

Space Shifters at the Hayward Gallery – Review for The Learned Pig The smell of engine oil lingers sharply in… Read more Space Shifters: review

“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer and director, reveals a glint… Read more Telling a Thai Tale: A Dance Dramaturg’s Take (article for The Theatre Times)

My review of Colin Dunne’s Concert at Dance Umbrella, for The Theatre Times   The important thing about rhythm is… Read more Concert: Review

(written for The Learned Pig magazine) This is an instrument I have never seen before. A slender dark wooden box, one… Read more Common Salt: review

I’m sitting in the faded splendour of Swindon Dance’s main studio, which is adorned with huge vintage mirrors, curlicued window… Read more The Butterfly Effect (article for Oxford Dance Writers)

I see movement in front of me, usually on a stage or studio floor. Sometimes on a screen. “The Space”.… Read more Taking my shoes off: dramaturgy by movement

One thing I love about my dramaturgy work is the privilege of being able to dip into so many artists’… Read more From Votes for Women to Buddhist mythology, via Tango: two months in dramaturgy

Alongside the ever-changing experience of parenting a toddler, with its daily doses of hilarity and tests of patience, I have… Read more Goodbye 2017…